Knoll
ActiveOverview
Knoll is a designer furniture and office systems manufacturer founded in 1938, known for modernist designs and collaborations with architects. It operates globally with headquarters in East Greenville, Pennsylvania, serving office and residential markets through showrooms and dealerships worldwide. The company maintains manufacturing in North America and Italy, positioning it as a key player in contract furniture.123
History
Knoll was founded in New York City in 1938 by Hans Knoll. Production facilities moved to Pennsylvania in 1950, and after Hans Knoll's death in 1955, Florence Knoll took over leadership. The company expanded with manufacturing sites in North America and Italy, and was acquired by MillerKnoll in 2021.36
Product Lines
| Product Line | Positioning | Price Range |
|---|---|---|
| Office Systems | Modular workspace solutions | $2,000 - $20,000 |
| Seating | Ergonomic task and executive chairs | $800 - $5,000 |
| Desks and Tables | Contemporary work surfaces | $1,500 - $10,000 |
| Storage | Filing and organizational units | $500 - $4,000 |
| Monitor Arms (listed category) | Adjustable display supports | $150 - $1,800 |
Manufacturing
Knoll operates manufacturing facilities in East Greenville, Grand Rapids, Muskegon, and Toronto in North America, plus sites in Foligno and Graffignana, Italy. Production combines in-house capabilities across these global centers.23
Notable Products
- Womb Chair - Iconic lounge chair designed by Eero Saarinen.
- Tulip Chair - Pedestal-based seating by Eero Saarinen.
- Barcelona Chair - Modernist chair originally by Ludwig Mies van der Rohe.
- Platner Armchair - Wireframe chair by Warren Platner.
- Knoll Office Systems - Panel-based modular office furniture.
Reputation
Knoll is regarded by professionals for its high-quality reproduction of mid-century modernist designs and durable office furniture. Enthusiasts value its heritage and collaborations with architects like Saarinen and Mies van der Rohe. Criticisms include higher pricing compared to competitors and occasional perceptions of dated aesthetics in contemporary settings.3